TOWN HALL is a first-person game about the last working desk in a town that is closing. One municipal building, rendered in full 3D; a rubber stamp; and a line of people who all need something to be officially true.

You are the town clerk. The mayor is unreachable, the other offices are dark, and the seal on your desk still works — which makes you, in every way that counts, the government.

Whatever you stamp becomes true

Permits. Licenses. Certificates of birth, of death, of ownership. The paper in front of you is a claim; your stamp is the fact. Approve it, and the town reshapes itself around your signature. Refuse it, and the person in front of you goes home to live in the version of the town you just chose for them.

Everyone brings a reason. Most bring money.

Your salary is late. The building's heating is a line item nobody pays. A folded bill inside a folder is not a bribe if nobody says the word — and your reputation moves with every desk decision, in a town small enough to remember all of them.

Walk out and see what you signed

The desk is not the whole game. Step out to the town map and visit what your stamps did — the reopened bar, the condemned house, the pier that is suddenly private property. Every room is built to be searched: drawers, ledgers, notes, the things people leave behind when they think an office is just an office.

The basement remembers

Below the archive there is a file about why this town emptied. Nobody asks you to read it. The keys to it pass across your desk one favor at a time.

What you get

• A first-person 3D town you can walk, built around one municipal building
  
• Choices that commit — a stamp cannot be unpressed, and the town keeps the receipts
  
• A money and reputation loop where every convenience has a price and a witness
  
• No combat. The most dangerous thing in this town is a signature — yours
  
• Eleven languages · offline · single-player · no account, no telemetry

TOWN HALL contains pre-generated AI content. Its environment art and character models are created with generative image and image-to-3D tools, composed, programmed and finished by hand; its store artwork comes from the same pipeline. Its narrative text is human–AI co-written and human-edited under the author's direction; the game design is the author's. Its music and sound are created with generative audio tools. No AI content is generated at runtime, and the game contains no AI-generated depictions of real people.